Demon Gangsters

I had this shoot planned for some time now and work just kept getting in the way, I just couldn't make the time to get everything done. The original idea was to take a CG character, a Demon by the name of Pyre, I'd made for a movie years ago (the movie never was finished) and turn it into a makeup. I made some major adjustments and went from there.

So alongside Pyre I created a couple other characters, I just felt a solo shoot wouldn't be as interesting. So we gave him a Russian sidekick, Konstantine and a good old school gangster moll, Emmaline.

It was a massive effort to get this all done in time. I had a busier than usual season this year and it was still not done. The only pieces pre-made were the giant horns and the Horned Brow piece, which is a stock piece I sell so it was no issues. I sculpted, moulded and cast everything in the span of about 2 1/2 weeks I think - all while doing a lot of other work.

Fortunately, it all came together pretty well. I was most worried about the cowl for Pyre, it was a traditional cowl in that it covered everything down to the shoulders, just an open face, so it was a full neck. It slipped on and fit perfectly though. The face was a bit of a challenge, but I think after a few photoshop touchups it turned out really well.

And then I had to tackle the issue of bad lighting with a group of three models, it was a real annoying challenge and in the end we opted for solo shots with the other two in the background. We got a couple good group shots, but the solo ones came out much better.

One of the trickier elements was getting the lighting so Pyre's eyes were clearly visible. The 2nd was handpainting all the tattoos on Konstantine, I wish I'd managed to get more clear shots of them, but there was just so much that needed to be done to get the shots, that I just had to take what I got.

In the end we didn't get a huge pile of pictures, but what I did get I'm really happy with. the makeups/costumes all looked great and we did get a few really awesome shots. It was a lot of work and in the end I literally felt like I'd been hit by a bus, my back was messed up and I was exhausted (I'd already done two other makeups that same day), but I still feel it was all totally worth it.

And here's a pile of all the prosthetics we used. The cowl and face on Pyre were two pieces, they just came off together. The gloves were just mask latex that I stuff with winter gloves with cotton in the fingertips to keep them from collapsing.

My Last Movie...more like fake movie trailer really.

I've been thinking about this off and on over the last few months, and nearly every time it came to mind I always thought an interview with Patton Oswalt I once heard., he was discussing his thoughts on being a successful comedian. I'll admit I don't recall some exact points, but the basic idea was that he believed in order to be a success in his business (and I think it translates to any creative business) you actually have to enjoy the work of your peers and allow yourself to appreciate their success in order to become inspired by it. I think I agree with that idea, which is why I don't think I'll ever be successful, even if I wanted to, as a filmmaker  but feel I will find success in doing special effects.

This might offend a few folks, I can't say I really care anymore - because some folks look to be offended in everything anyway, so why bother tiptoeing around the point. What it comes down to is this, I don't care about indie/amateur movies overall. I don't enjoy watching them, I can't stand people going on and on about their "awesome script". I just don't give a big, fat, wobbly ass about them. I think I did at one point, but because of so many negative experiences I've grown to kind of hate the whole idea.

There are a small select few, locally speaking, whose talent and dedication to what they do, that I respect and actually enjoy working with. And let me say it again for the cheap seats...A SMALL SELECT FEW.  I think about 4 or so, they should know who they are.

And this has nothing to do my own abilities as a filmmaker vs someone else's,  I make bad movies on purpose because it allows me to cut corners with a justification of "it's supposed to be that way", so don't read this and think this is some personal slam of my movies vs yours (or theirs), I AM NOT AND WILL NEVER BE A FILMMAKER - so let's leave it at and don't worry about it.

So the actual point of all this is why I feel I might find success doing SPFX, because I do see things being made by my peers (albeit online only since I'm the only one locally that I'm aware of) that I enjoy and find inspiring, I'm happy for their successes (even when I'm in a constant state of disappoint about my lack thereof), I enjoy talking to some of them even when we don't agree on something - to me it's a dialog about something we both love, not an argument about who sucks and why - although they do happen, but it's usually a pretty one sided conversation about an individual, or group, bent on ripping people off with crap quality. There are those who are negative and just want to tear things down, they exist everywhere and I've learned to suss them out and just sidestep or ignore them.

And even to elaborate a touch more on my whole anti-FaceOff seeming rant, I never intended it to come off like that - it's something I do enjoy watching and talking about and there are definitely some works being made on that show I find to be just amazing to look at and have even seen a few concepts here and there I've wanted to steal to incorporate into my own designs, I just don't like the idea of televised/heavily edited competition in a field I don't feel I'm into.

I'm friends on Facebook with more random makeup artists than filmmakers, and most of them added me because they somehow found my work - again, in special effects, not as a filmmaker. I've never had a random filmmaker see my work and actually comment about how they appreciated it or anything really like that, with makeup artists, it happens quite often.

I've gotten more work as an makeup artist, I've made more money, I'm less stressed (and oddly enough I enjoy the stress of it), I enjoy the collaboration with the few folks I've done with for - to be perfectly honest, I never really had any of that as a filmmaker.

So, because of all this I'm done making movies. I always said I did it for fun and when it wasn't fun anymore, there was no point in doing it. Now I've got 3 movies all shot and mostly edited that need audio work I'll probably turn out over the next year, first being Moonshine of the Damned lined up for early October, but I've one last project that's been gnawing away at me that I'd really love to do and then just drop the whole thing.

I've had this idea for an HP Lovecraft/Alfred Hitchcock movie, the concept is continually changing, but visually I can already see it in my head. I want to create an epic looking, almost Lord of the Rings Lovecraft movie with Hitchcock cinematography and plot. It's a bit of a tall order, but I think the two can actually blend together brilliantly since both heavily feature paranoia as an overall theme in their works.

The new title to the project is The Thief of Innsmouth (tentatively, it's changed so many times already). Originally the lead was to be a Demon, as I seem to love putting Demons into movies for no good reason, I'm changing that to have a lead who's a human in order to play up the horrific elements of the good townsfolks of the mob controlled town of Innsmouth. I'll borrow a lot from The Shadow Over Innsmouth story for the setting and throw in a more of a Hitchcock twist of a case of mistaken identity as a man is hired to do something (I've no idea yet what the motivation is here) to the crime lord of Innsmouth, Cthulhu himself and weird shit like that.

It's an odd twist on the whole thing. It's an incredibly expensive endeavor - which is why this project will only be a trailer. A roughly 2 - 3 minute trailer of the most awesome, epic, mutant fish people gangster/horror movie ever. And I'm not really a Gangster movie fan, it just feels like the right element to throw in there.

I'm only looking at a 2 - 3 day shoot, as many makeup FX as I can possibly muster, which will be easy since I'm already embarking on a slowly growing line of Lovecraft inspired prosthetics - so this trailer will in fact also be a commercial for all that awesomeness as well. I'll try to do some location shooting, but possibly a lot of studio/greenscreen stuff as well since we're pretty limited for really great locations for this sort of thing.

And that's it. I'm done making movies. Next spring I'm planning on one last fake movie trailer - there's always the possibility of collaborations, but only where I'm not the one pushing the project forward on my own, I'll just be following someone else's lead.

However, there is always the slightest possibility that if the trailer turns out and I can create a brilliant script, I might try the grant thing again and that is the only way I'd ever attempt to do a movie again, none of this out of pocket shit anymore. It's just not worth it.